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D I M A
S
STUDIOS
DIGITAL AUDIO & DIGITAL VIDEO & FILM POST-PRODUCTION
DVD | BLU-RAY & DUBBING
Dimas is one of the leading audio and video post production studios
i
n the Slovak Republic, sporting a rich history.
The studio is housed in a brand new building, keeping the needs of our clients in mind.
We are proud to be the only holder of
DOLBY
and
DTS licenses
for fi lm post
production in the Slovak Republic.
Our clients include Slovak broadcasting companies, post production companies, advertising
agencies and distribution companies.
We have produced Slovak language versions of more
than a thousand movies for broadcasting and cinema, as well as hundreds of videos for
advertising. Our activities include video editing, DVD authoring and other multimedia
endeavors. Offering integrated services “under one roof” and delivering comfort for our clients
are our top priorities.
Vajnorská 105
831
0
4
Bratislava
SLOVAKIA
+421232101919
e-mail:dimas@dimas.sk
www.dimas.sk
GPS: 48.178525 N, 17.147364 E
GPS: 48.40.41,60 N, 17.08.50,04 E
1 x SURROUND
SUITE
1 x MIX SUITE
2 x RECORDING
STUDIO
5 x A/V EDITING
ROOMS
1 x REC/FX/
FOLEY STUDIO
1 x THEATRE
SUITE
THEATRE
SUITE
Euphonix S5 with 48/96 faders and Euphonix
MC Pro control – the heart of our
studio
√ DOLBY feature fi lm certifi cation
√ PEC/DIR panel
√ THX certifi ed monitoring equipment
√ THX certifi ed screen
√ movie projector with both analogue and digital sound
√ HD/2K projector
√ automated fi lm screen masking
and
postsync re-recording
√
more than 1500 plugins incl.EMT 250 reverb,
R360 Surround Reverb
,
Space, Universal Audio CS 1, H reverb, True Verb,
IR360 Convolution
Reverb
, Real Verb Pro
√ Dolby MME full digital processing encoder
√ DolbySR, Dolby Digital, Dolby Digital Surround EX, Dolby Surround 7.1
√ DTS support
√ DCP – digital cinema processing
Euphonix System 5
Get high-performance audio mixing in a standalone digital console
specifi cally designed for the ultra-demanding worlds of professional music
and audio post production. With System 5, you have power on demand to
mix the biggest feature fi lms
and album projects in an advanced system that
represents the pinnacle of digital audio console design, with a powerful DSP
SuperCore engine, industry-leading ergonomics, and deep DAW control with
the EUCON Hybrid option.
C
omplex and complete solutions is Sync House priority – video editing,
sound editing and mixing for movie productions.
Thanks to our capacities, post production of a single feature can be done
simultaneously in several studios, speeding up the whole process. Film
editing, audio editing, synchronization, mixing, postsync recording and
fi nal mixing can all be done at the same time.
Due to the lack of suitably equipped studios, fi lm production and sound
mixing in particular, in the Slovak Republic after 1998 was practically non-
existent. Movies were usually post produced abroad.
Our studio has the ambition to change the state of cinema in the Slovak
Republic. Dolby Digital license pending, we are preparing to offer sound
mixing of the highest quality to the Slovak fi lm-making industry
.
FULL DIGITAL POST
Console: Euphonix S 5, 48/96faders, 512 channel routing,
128chanel I/O, 116 channels DSP, Euphonix MC Pro control 4xDAW
input
DAW: Apple Macintosh Pro computers 12 core incl. 2 x LCD Displays
Avid Pro Tools 10 HD 7 Accel 512track MADI - DAD audio
MADI
option see
MISCELLANEOUS
video Satellite Avid PT 11
Plug-ins: Aphex, Antares, Audio Easy, Bomb Factory, Blue Cat, Digidesign,
Dolby, Drawmer, Eventide,
GMRT,
Focusrite, IK Multimedia, Line 6, McDSP,
Massey, Massenburg DesignWorks, TC electronics, Trillium Lane Labs,
Sound Hack, Sony Oxford, SoundToys,
PCM,
Universal Audio,
Izotope,
Waves
…
/plugin licenses see in separate list/
Picture: Full HD/2k | movie projector MEO 5S
Monitors: Genelec monitoring system 3x 1039 4 x 7071 8x 1035
Dolby MME encoder full digital processing, Dolby CP 650
,
DTS option
STUDIO IQ
SURROUND SUITE
Console:
Digidesign Control 24 |
Yamaha 0R2 | Midas | Mackie
DAW:
Apple Mac Pro computers
including 2 x 24" LCD
Displays Digidesign HD 3
Accel HD192,
Blackmagic HD video
Plug-ins:
Aphex, Antares, Audio Easy,
Bomb Factory, Blue Cat,
Digidesign, Dolby, Drawmer,
Eventide, Focusrite, IK
Multimedia, Line 6, McDSP,
Massenburg DesignWorks, TC
electronics, Trillium Lane
Labs, Sound Hack, Sony
Oxford, SoundToys, Universal
Audio, Waves...
/plugin licenses see in
separate list/
Multimax EX
Waves L2
TC electronics Finalizer 96K
DOLBY DP569 Encoder,
DOLBY DP564 multichannel
decoder
Pro tools mix + |Digi 001 |Digi 002 | Digi 003|
Mbox | Publison DAW | Screensound
Bias | Steinber Nuendo | Cubase | Sound
Forge | Pro Logic | Soundtrack Pro | Wave
Burner | Cakewalk |
DSP Qutro
TC electronics Finalizer96K | Waves L2 |
MotuMIDI Timepiece AV | RME 24- bit/96 kHz
Universal Format Converter | DA 88 Tascam +
SY88 | Sony PCM 800 | Tascam HR 78 | Sony
PCM D1 | Zoom H4N | Rosendahl
Albrecht 16mm/17,5mm | Sondor OMA 3S
Studer A810 with2xDolby A/SR 363 and Lynx
synchronizer
Dolby DP 564 | DP567| CP 65 | SA10 | Dolby
SEU-4 | Dolby SDU 4 | Lynx Time Line system
Sony VHS | Sony CD player| Numark
Gramophone |
Sony cassette deck | Sony DAT
recorders PCM 7030 | TCD-D3 | 57 ES
Wide range of microphones: Neuman U 87 |
Neuman TLM 103 | Shure VP88, M- Audio
Solaris | AKG Solid Tube | Joemeek JM37DP|
Rode K2 | NTG-2 | Sennheiser 416
Sound effects library HD -1
50
000 items
Music library HD
2T
Universal Audio 6176 | Focusrite-Voice
Master Pro | dbx 360
Klark Teknik DN60| Lexicon LPX15 | Yamaha
SPX1000 | BSS DPR 502 compressor |
BSS
DPR 501 noise gate | BSS DPR 102 dynamic
eq | Joemeek oneQ | Drawmer DF 320 dual
noise fi lter | Monarch EEM 3000 |
Dynacord
EQ- 3310 | Dynacord EQ-2215 | Panasonic AG
DA760 | Tube UltrafexT1954 |
UltrafexEX 3200
| SNR2000 | MDX2000 Digital VX2496 |
Powerplay PRO-8 HA 8000|
Powerplay PRO-8
HA 4700 |
Kramer 6003 (bb generator)| VM
1021 (1:20V distr.) | VS 801XLM (8X1switch) |
VM-5ARN(AV distr.bal/unbal) | VM-1110 (A
2x5distr.), VM 10AR | AVDA1210 | Keyspan |
Tascam LA 80 | TascamLA 81 |Tascam LA
40 ...
SURROUND IQ
MISCELLANEOUS
Studios are build
“House in house”
for excellent acoustic
Comfort while recording
Conforms with even the most stringent background noise and spatial
acoustics demands.
Ideally suited for recording of commercials, commentary tracks and
≥≥≥
˘
.
Using Neuman and Millenia high-end digital equipment.
√ large diaphragm studio microphones with selectable directional patterns –
Neumann, Rode, AKG, Shure, M-audio
√ mic preamplifi er Universal Audio, Focusrite, dbx, Joemeek,
Millenia
√ ADR – Automated Dialogue Replacement
√ recording server PT
√ large (152 cm) wide-screen video monitors v in both studio and recording
room
, HD picture
√ video syncing
√ wide range plug-ins
√ Eucon support
√ timecode support
√ machine control
√ format converter
√ 192kHz/24bit audio
RECORDING STUDIOS
A/V
EDITING ROOMS
Dimas has extensive experience with video processing. Our integrated studio solution allows
for all materials to be produced “under one roof” – be it movie for cinema distribution, TV
show or a commercial, DCP support.
AVID, Film composer, Final cut, Adobe premiere, Sony are all professional level brands. Using
digital equipment for video effects, we are always looking for innovative and non-traditional
ways of editing video and sound. We can work with DIGIBetacam, Betacam SP, DV, MII, DVDs,
Blue-ray…
Dedicated editing room for on-line editing of audio and video.
Dedicated studio for subtitling and color correction.
Various formats can be:
√ converted
√ digitized
√ synchronized
Supporting studio with Yamaha 002R digital mixer.
Analogue & Digital
If analogue mixing is what you’re after, we can provide that too.
Combining analogue and digital. The choice is yours.
√ HD recording
√ AD / DA converters
√ analogue audio mixer Midas digital audio mixer Mackie
√ analogue compressor BSS
√ analogue and digital effects
√ timeline
√ BSS,Yamaha, Lexicon, Drawmer, dbx, Monarch
Sound design is the part of fi lm making process that deals with creative use of sound in
movies and video in general In sound studios, the original idea is transformed into a fi nal mix
that can be seen in theaters.
√ casting
√ postsync
√ effects – recording, producing, archiving, syncing atmospheres – recording, producing,
archiving, syncing
√ special effects – recording, producing, archiving, syncing
√ music – recording, producing, archiving
√ mixing
We have an extensive sound archive of more than 1
50
000 various audio samples including
orchestral music and multichannel sounds.
E
MIXING
/MASTERING
DCP MASTERING
We can optimize your record or mix to top quality for replication,
radio
,
or
iTunes, Soundcloude, Spotify…
Mastering is often thought of as a mysterious art form.
Mastering
is
last step,
in
the fi nalization of audio recordings.
Preferred order usually is:
Equalizer
,
Sibilance
,
Dynamics
,
Post Equalizer
,
(
Reverb
), (
Harmonic Exciter
), (Noise removal),
Stereo Imagin
g,
Loudness
Maximizer
.
Up to 384 kHz, 32-bit audio mastering tools, wide range hardware & plugins.
Digital Cinema Information
DCP is the digital equivalent of a 35mm fi lm print. It is what you give to a commercial theater so
that they can screen your movie on a digital ( also known as “D-Cinema”) projector. Like a
35mm print, a DCP is a world-wide standard. If you walk into any D-Cinema theater, anywhere
in the world, they can play your DCP without a problem.
Another benefi t is that DCPs don’t wear out like 35mm. Digital copies do not degrade, so you’ll
never have a broken, scratched or dirty DCP. The 1000th screening will look just as perfect as
the fi rst.
DCPs standart
Video: 24.00 frames per secondCompression: JPEG2000Color Space: XYZ
Video Format: 2K – 2048×1080 container size (1920×1080, 1998×1080 and other image sizes are
acceptable)
Audio Format: 24-bit, 48 kHz uncompressed
Minimum 3 channels (Left,Right,Center) or 5.1 (L,R,C,LFE,LS,RS) Audio Channel
Mapping: 1:Left 2:Right 3:Center 4:Subwoofer 5:Left Surround 6:Right Surround
Complete DCP specifi cations are contained in the following:
SMPTE 428-1-2006 D-Cinema, ISO/IEC 15444-1, SMPTE 428-2-2006
D-Cinema, SMPTE 428-3-2006 D-Cinema
Are you ready to make a DCP of your fi lm? We – yes
